Connected memories

Concept & Series

It depicts a bright world where scenery in faded and ambiguous memories is reconstructed with unique touches and colors. People remember their experiences and experiences mentally and physically as memories of the past. And while people live in the present, facing forward, saying "future," they live with the various memories of the "past" they remember. Furthermore, it is difficult to live without those memories, and I believe that the "past" is an important factor in the process of living a person. While these memories tend to remain stronger when it is painful, bitter, difficult, or bad results, they can also be glorified from the perspective of self-defense, and the boundaries of these memories are mixed with various emotions such as reality, ideals, fantasies, hope, and despair. Some people say things like, "Don't look back at the past," "Forget the past," or "Look just the past (the future)," but people are obsessed with the past, including good and bad, and because there is a past, it exists here in the present, and based on those past experiences and experiences, they make various choices towards a better future, so they have walked in their own way in living towards the future, meaning that no matter what kind of "past" it is, it is valuable. Furthermore, memories of the past can be constantly changed or allowed to change at any time depending on your own thoughts, environment, etc., so it is important to conveniently interpret the past as something meaningful or valuable in order to carve out a wonderful future for the future. By encapsulating these various obsessions about the past, and restructuring it by adding newness such as glorifying the past, ideals of the present, and hope for the future, we put the message that "the meaning and value of the past can be changed depending on you in the future." The works I am creating are based on memories of the past and are based on the nostalgic original Japanese landscape, but by changing the length of the work I draw, I depict a utopia that runs from the past to the present, from the present to the present, from the present to the future, which combines a sense of world and futurism that does not actually exist. I hope that by overlooking the artwork with their own memories, this will help people look back at the past, reflecting on their own current ideals, and harness new hopes for the future. Please also pay attention to the unique sense of color and the drawing feel that makes use of the characteristics of drawing materials such as paint. This work is a horizontal work that is connected to three flat works. The reason they choose the countryside landscape as their motif is because of their nostalgia and obsession with memories of the past. As times progress, I feel lonely as forests, tiled roofs, and local lines gradually disappear, and I feel like I want to keep the things that are disappearing (the past) in the picture while I'm writing them now. The structure also follows the paths that claim, but the roads that people, cars, and animals have taken are mostly soil rather than asphalt, and are engraved on them by stepping on them, representing time in the remains of "they were there in the past." With the intention of creating a new world that includes peace and happiness, the countryside landscape has added things that feel unnatural, such as balloons and animals, that you might find there to be. We also believe that balloons are a role that carries time, and we put hope for the future that we want them to move from the "past" to the "good" future.

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