{"title":"Irahara Sayaka |艺术家页面","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/f1bff7c77ec975253f5e0dbd183d9f0a_480x480.jpg?v=1693476824\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/f1bff7c77ec975253f5e0dbd183d9f0a_480x480.jpg?v=1693476824\"\u003e\u003c\/p\u003e\n\u003cp\u003e艺术家Irahara Sayaka\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1997年出生于北海道\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e他目前活跃于东京。它描绘了一个围绕时间和回忆的世界，并充满了对过去的痴迷。还要注意使用绘画材料（例如油漆）的特征的独特色彩感和绘画感觉。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":515,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13624051},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"革小物職人としてのキャリアを活かして、レザーカービング(革彫刻)技法などを用いた作品を2020年より発表。\\n\\n「escape」というワードをコンセプトに\\n乗り越える姿勢を表現しています。\\n\\n副産物である貴重な革と人との関わり方を考え、使い捨てにするのではなく残る作品とすることで既存の流れからの「escape」という一つの答えを目指しています。\\n\\nまた、人が生きいく上で欠かせない栄養源が他の生命であるという事実は\\n他の何かと関わり合いながら生きいているということを再認識し、見つめなおす手掛かりを教えてくれます。\\nそれは自身を再認識、再発見することに繋がり、他の何かだけではなく自分自身との関わりも日々の栄養源になり得るものではないかと考えます。\\n\\n経年変化し成長していく革と、凝り固まった「今まで」からの「escape」によって成熟し深まっていく自身とのリンクを以て生活への感謝を考えます。\"}'\u003e职业\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c评论\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e十月的个展“记忆重建”画廊TK2\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9月 +美术馆“艺术学生明星”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4月：在TK2画廊展出的“ Hito展览2”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e三月毕业于穆萨希诺艺术大学艺术与设计学院油画系\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3月：画廊33的“照片轨道”展览\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1月两人的展览“ Kiokuno Kakera”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11月的电视节目“ Gurunai”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e三月毕业于乔希艺术大学初级学院\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e四月转移到穆萨希诺艺术大学艺术与设计学院油画系\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e 八月独立东京2021-Gallery Tagboat \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11月：Mizuno Akira个人奖，Musashino Art University 3年度内部竞赛\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"art-students-stars-vol-2_saya-ihara_memory-and-i","title":"记忆和我","description":"记忆中的风景已经褪色、模糊，但我用自己的色彩重构它，创造一个更加明亮的世界。通过结合对逐渐消失的过去的痴迷并为其添加新鲜感，传达的信息是“过去的意义和价值可以根据你未来的身份而改变。”我想画一幅既保留怀旧感又增添新意的画。\u003cbr\u003e\u003cbr\u003e\n\u003ch3\u003e ■工作细节\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e艺人名称：伊原沙耶香\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e生产年份: 2023\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e版本：1\u003cbr\u003e\n\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e尺寸：高970×宽600×深25（毫米）\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e材料：胶合板、丙烯颜料、蜡笔、钢笔、彩色铅笔\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e交货期：一般展览期结束后约2周至1个月\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e处理：Plus Art Co., Ltd.\u003c\/span\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e ■关于运费\u003c\/h3\u003e\n\n\u003cp\u003e+ ART Online Gallery 处理的艺术品的所有运费均在交货时支付。由于艺术品的性质，在运输前很难确定运输费用，因为由于包装严格，运输过程中作品的尺寸可能会有所不同，并且交付时的保险费可能会根据作品的价格而有所不同。\u003cbr\u003e \u003cbr\u003e为了将多样化的作品送到大家手中，＋ART Online Gallery在购买作品时只会显示作品的价格和消费税，并在发货时通过电子邮件告知您运费。对于由此造成的任何不便，我们深表歉意，但由于艺术品的性质，我们感谢您的理解和理解。\u003c\/p\u003e","brand":"伊良原さや香","offers":[{"title":"Default Title","offer_id":42360240537782,"sku":null,"price":150000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/b3908c153f02a640c234ccd2b8db7989.png?v=1740506575"},{"product_id":"saya-ihara_connected-memory","title":"记忆联系在一起","description":"\u003ch2\u003e Artwork Description\u003c\/h2\u003e \nHe depicts a bright world where the scenery from faded and ambiguous memories are reconstructed with a unique touch and color. People remember the mental and physical experiences they have had as memories of the past. And while people live in the present, moving toward the future, they also live with the various memories of the past. It is difficult to live without these memories, and I believe that the past is an important element in the process of living. While painful, difficult, and bad things tend to remain stronger in these memories, they can also be romanticized as a form of self-defense. Reality, ideals, fantasy, hope, despair, and other emotions are all mixed together, and the boundaries between them are unclear. Some people say, \"Don't look back,\" \"Forget about the past,\" or \"Look only forward (to the future).\" However, people are attached to the past because they exist in the present, including the good and the bad, and because they make various choices toward a better future based on their past experiences. Therefore, the experiences and experiences that we have had, that is, whatever \"past\" they may have, are valuable in living toward the future. Also, memories of the past can always be changed or altered at any time according to our own convenience, depending on our thoughts and environment, so it is important to conveniently interpret the past as something meaningful and valuable, even if only a little, in order to open up a wonderful future. By incorporating such various attachments to the past and restructuring it by adding new things such as beautifying the \"past\" and ideals for the \"present,\" and hope for the \"future,\" the message is that \"the meaning and value of the past can be changed depending on who we are in the future.\" The works I create are based on memories of the past and on the nostalgic landscapes of Japan, but by using things that shouldn't be there, things that shouldn't exist, using colors that don't exist, and changing the scale of the things I draw, I depict a utopia that connects the past to the present, and from the present to the future, combining a worldview and a sense of the future that doesn't actually exist. I hope that by looking at the paintings and looking back at the past while overlapping them with my own memories, I can help people to think about their own ideals in the present and have new hopes for the future. I would also like you to pay attention to the unique sense of color and the quality of the paints and other drawing materials. \u003cbr\u003eThis work is a horizontal work that connects three flat works. The reason why I chose the rural landscape as a motif is because I have an attachment to nostalgia and memories of the past. I feel sad that forests, tiled roofs, local train lines, etc. are gradually disappearing as time goes on, and I want to depict them now and capture and preserve the things that are disappearing (the past) in my paintings. In addition, I have taken a composition that emphasizes the road, but the road where people, cars, and animals have passed is not asphalt but mostly dirt, and the traces left by being stepped on and engraved, which show that \"they were there in the past,\" represent time. With the intention of building a new world that contains peace and happiness, I added things that feel unnatural to the rural landscape, such as balloons and animals. I also believe that the balloon has the role of transporting time, and I put my hope for the future, that we should move from the \"past\" to the \"(good) future.\"\n \u003ch2\u003e■Details\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eArtist name: Sayaka Irahara\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eProduction year: 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Edition: 1\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eSize: H530×W1365×D25(mm)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eMaterial: plywood, oil paint\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Delivery period: Approximately 2 weeks to 1 month after the end of the entire session\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eHandling: PlusArt Co., Ltd.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e ■ Regarding shipping fees\u003c\/h3\u003e\n\n\u003cp\u003e All shipping charges for artworks sold at +ART Online Gallery are cash on delivery. By its very nature, artworks are difficult to determine shipping charges before shipping, as their size at the time of delivery can vary due to the careful packaging used, and insurance fees can vary depending on the price of the artwork.\u003cbr\u003e \u003cbr\u003eIn order to provide you with a wide variety of artworks, +ART Online Gallery will only show you the price of the artwork and the consumption tax when you purchase the artwork, and will inform you of the shipping fee by email at the time of shipment. We apologize for any inconvenience this may cause, but we appreciate your understanding and cooperation as this is the nature of artworks.\u003c\/p\u003e","brand":"伊良原さや香","offers":[{"title":"Default Title","offer_id":42564956389558,"sku":null,"price":198000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/b7a4d74ba596dad71b4748b689833b70.heic?v=1740506085"},{"product_id":"saya-ihara_memory-4","title":"内存4","description":"\u003ch2\u003e Artwork Description\u003c\/h2\u003e\n\n \u003cp\u003eHe depicts a bright world where the scenery from faded and ambiguous memories are reconstructed with a unique touch and color. People remember the mental and physical experiences they have had as memories of the past. And while people live in the present, moving toward the future, they also live with the various memories of the past. It is difficult to live without these memories, and I believe that the past is an important element in the process of living. While painful, difficult, and bad things tend to remain stronger in these memories, they can also be romanticized as a form of self-defense. Reality, ideals, fantasy, hope, despair, and other emotions are all mixed together, and the boundaries between them are unclear. Some people say, \"Don't look back,\" \"Forget about the past,\" or \"Look only forward (to the future).\" However, people are attached to the past because they exist in the present, including the good and the bad, and because they make various choices toward a better future based on their past experiences. Therefore, the experiences and experiences that we have had, that is, whatever \"past\" they may have, are valuable in living toward the future. Also, memories of the past can always be changed or altered at any time according to our own convenience, depending on our thoughts and environment, so it is important to conveniently interpret the past as something meaningful and valuable, even if only a little, in order to open up a wonderful future. By incorporating such various attachments to the past and restructuring it by adding new things such as beautifying the \"past\" and ideals for the \"present,\" and hope for the \"future,\" the message is that \"the meaning and value of the past can be changed depending on who we are in the future.\" The works I create are based on memories of the past and on the nostalgic landscapes of Japan, but by using things that shouldn't be there, things that shouldn't exist, using colors that don't exist, and changing the scale of the things I draw, I depict a utopia that connects the past to the present, and from the present to the future, combining a worldview and a sense of the future that doesn't actually exist. I hope that by looking at the paintings and looking back at the past while overlapping them with my own memories, I can help people to think about their own ideals in the present and have new hopes for the future. I would also like you to pay attention to the unique sense of color and the quality of the paints and other drawing materials. \u003cbr\u003eThe reason why I choose rural landscapes as my motif is because I have a nostalgia and an attachment to past memories. I feel sad that forests, tiled roofs, local train lines, etc. are gradually disappearing as time goes on, and I want to paint them while I can and capture the things that are disappearing (the past) in my paintings. In addition, I have used a composition that emphasizes roads, but the roads that people, cars, and animals have walked on are not asphalt but mostly dirt, and the traces that are left by being stepped on and left behind of \"being there in the past\" represent time. With the intention of building a new world that contains peace and happiness, I have added things that feel unnatural to the rural landscape, such as balloons and animals. I also believe that the balloons have the role of transporting time, and I put my hope for the future, that we move from the \"past\" to the \"(good) future.\"\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch2\u003e■Details\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eArtist name: Sayaka Irahara\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eProduction year: 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Edition: 1\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eSize: H220×W273×D25(mm)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eMaterial: plywood, mixed media\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Delivery time: Approximately 2 weeks to 1 month after the end of the event\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eHandling: PlusArt Co., Ltd.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e ■ Regarding shipping fees\u003c\/h3\u003e\n\n\u003cp\u003e All shipping charges for artworks sold at +ART Online Gallery are cash on delivery. By its very nature, artworks are difficult to determine shipping charges before shipping, as their size at the time of delivery can vary due to the careful packaging used, and insurance fees can vary depending on the artwork's price.\u003cbr\u003e \u003cbr\u003eIn order to provide you with a wide variety of artworks, +ART Online Gallery will only show you the price of the artwork and the consumption tax when you purchase the artwork, and will inform you of the shipping fee by email at the time of shipment. We apologize for any inconvenience this may cause, but we appreciate your understanding and cooperation as this is the nature of artworks.\u003c\/p\u003e","brand":"伊良原さや香","offers":[{"title":"Default Title","offer_id":42564956422326,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/4_e3167325-39f7-4bbf-aa8c-12b52e63ea83.jpg?v=1740506083"},{"product_id":"saya-ihara_the-overwritten-memory6","title":"覆盖内存6","description":"\u003ch2\u003e Artwork Description\u003c\/h2\u003e\n\n \u003cp\u003eHe depicts a bright world where the scenery from faded and ambiguous memories are reconstructed with a unique touch and color. People remember the mental and physical experiences they have had as memories of the past. And while people live in the present, moving toward the future, they also live with the various memories of the past. It is difficult to live without these memories, and I believe that the past is an important element in the process of living. While painful, difficult, and bad things tend to remain stronger in these memories, they can also be romanticized as a form of self-defense. Reality, ideals, fantasy, hope, despair, and other emotions are all mixed together, and the boundaries between them are unclear. Some people say, \"Don't look back,\" \"Forget about the past,\" or \"Look only forward (to the future).\" However, people are attached to the past because they exist in the present, including the good and the bad, and because they make various choices toward a better future based on their past experiences. Therefore, the experiences and experiences that we have had, that is, whatever \"past\" they may have, are valuable in living toward the future. Also, memories of the past can always be changed or altered at any time according to our own convenience, depending on our thoughts and environment, so it is important to conveniently interpret the past as something meaningful and valuable, even if only a little, in order to open up a wonderful future. By incorporating such various attachments to the past and restructuring it by adding new things such as beautifying the \"past\" and ideals for the \"present,\" and hope for the \"future,\" the message is that \"the meaning and value of the past can be changed depending on who we are in the future.\" The works I create are based on memories of the past and on the nostalgic landscapes of Japan, but by using things that shouldn't be there, things that shouldn't exist, using colors that don't exist, and changing the scale of the things I draw, I depict a utopia that connects the past to the present, and from the present to the future, combining a worldview and a sense of the future that doesn't actually exist. I hope that by looking at the paintings and looking back at the past while overlapping them with my own memories, I can help people to think about their own ideals in the present and have new hopes for the future. I would also like you to pay attention to the unique sense of color and the quality of the paints and other drawing materials. \u003cbr\u003eThe reason why I choose rural landscapes as my motif is because I have a nostalgia and an attachment to past memories. I feel sad that forests, tiled roofs, local train lines, etc. are gradually disappearing as time goes on, and I want to paint them while I can and capture the things that are disappearing (the past) in my paintings. In addition, I have used a composition that emphasizes roads, but the roads that people, cars, and animals have walked on are not asphalt but mostly dirt, and the traces that are left by being stepped on and left behind of \"being there in the past\" represent time. With the intention of building a new world that contains peace and happiness, I have added things that feel unnatural to the rural landscape, such as balloons and animals. I also believe that the balloons have the role of transporting time, and I put my hope for the future, that we move from the \"past\" to the \"(good) future.\"\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch2\u003e■Details\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eArtist name: Sayaka Irahara\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eProduction year: 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Edition: 1\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eSize: H250×W250×D20(mm)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eMaterials: round canvas, oil paint, acrylic paint\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Delivery time: Approximately 2 weeks to 1 month after the end of the event\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eHandling: PlusArt Co., Ltd.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e ■ Regarding shipping fees\u003c\/h3\u003e\n\n\u003cp\u003e All shipping charges for artworks sold at +ART Online Gallery are cash on delivery. By its very nature, artworks are difficult to determine shipping charges before shipping, as their size at the time of delivery can vary due to the careful packaging used, and insurance fees can vary depending on the artwork's price.\u003cbr\u003e \u003cbr\u003eIn order to provide you with a wide variety of artworks, +ART Online Gallery will only show you the price of the artwork and the consumption tax when you purchase the artwork, and will inform you of the shipping fee by email at the time of shipment. We apologize for any inconvenience this may cause, but we appreciate your understanding and cooperation as this is the nature of artworks.\u003c\/p\u003e","brand":"伊良原さや香","offers":[{"title":"Default Title","offer_id":42564956455094,"sku":null,"price":27500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/theoverwrittenmemory6.heic?v=1740506081"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/collections\/2024-01-17_20.06.02.png?v=1705489613","url":"https:\/\/pls-art-shop.com\/zh-hans-world\/collections\/irahara-sayaka-%e8%89%ba%e6%9c%af%e5%ae%b6%e9%a1%b5%e9%9d%a2.oembed","provider":"+ART GALLERY（Online）","version":"1.0","type":"link"}