{"title":"陶卡·托莫米|艺术家页面","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/7a059dbc5dfd962048edc63fc66efc7f_634ced73-648e-46f3-9675-cdc5400bdb3c.jpg?v=1715749030\" width=\"313\" height=\"313\"\u003e\u003c\/p\u003e\n\u003cp\u003e我对同样的衣服感到无聊。\u003c\/p\u003e\n\u003cp\u003e我当然有我的最爱，但是我正在寻找不同的品味，即使只是一点。\u003c\/p\u003e\n\u003cp\u003e我总是想要改变和香料。\u003c\/p\u003e\n\u003cp\u003e我想通过改变来背叛自己的自我。\u003c\/p\u003e\n\u003cp\u003e但是，有时身份成为一部分。\u003c\/p\u003e\n\u003cp\u003e平衡的微小变化可以完全改变您的观点。\u003c\/p\u003e\n\u003cp\u003e这种协调结合了复杂的材料，信息和第一个部分是必备的。\u003c\/p\u003e\n\u003cp\u003e所以很有趣。\u003c\/p\u003e\n\u003cp\u003e我以与服装相同的方式绘制材料的图片。我会做的。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e·审查\u003c\/p\u003e\n\u003cp\u003e出生于1995年的千叶县\u003c\/p\u003e\n\u003cp\u003e2015年入学，穆萨希诺艺术大学油画系，艺术与设计学院\u003c\/p\u003e\n\u003cp\u003e2019年毕业于穆萨希诺艺术大学艺术与设计系油画系\u003c\/p\u003e\n\u003cp\u003e2019年穆萨希诺艺术大学艺术学院油画课程的2019年入口\u003c\/p\u003e\n\u003cp\u003e2021年毕业于穆萨希诺艺术大学艺术与设计研究生院的油画课程\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e·展示\u003c\/p\u003e\n\u003cp\u003e2022年“好像有10位艺术家试图表达音乐”东京\/苏约瓦\u003c\/p\u003e\n\u003cp\u003e2022“＆Drawing \/ Multigeneration Square 2022”东京 \/ AI画廊\u003c\/p\u003e\n\u003cp\u003e2021年“艺术奖东京Marunouchi 2021”东京\/Marunouchi Oazo○○方形\u003c\/p\u003e\n\u003cp\u003e2021年“ Holbein Art Fair 2021”东京\/Shibuya Cramble Squerble Squarp 14楼 +美术馆\u003c\/p\u003e\n\u003cp\u003e2021年，“毕业和完成的Reiwa 2的优秀作品展览”东京\/穆萨希诺艺术大学博物馆\u003c\/p\u003e\n\u003cp\u003e2021年“天生的新艺术”东京\/shibuya scramble广场14楼 +美术馆\u003c\/p\u003e\n\u003cp\u003e2021年“穆萨希诺艺术大学的毕业和完成生产展览”东京\/穆萨希诺艺术大学大楼2\u003c\/p\u003e\n\u003cp\u003e2021年“东京艺术大学和国家艺术博物馆的毕业和完成”东京\/国家美术馆\u003c\/p\u003e\n\u003cp\u003e2020年“ Holbein奖学金结果展览”东京\/佐藤博物馆\u003c\/p\u003e\n\u003cp\u003e2019年“购买！艺术收藏家展览”东京\/Medel Gallery Shu（Teikoku Hotel Plaza 2F）\u003c\/p\u003e\n\u003cp\u003e2019年“扮演艺术展览”东京\/哈穆拉城终身学习中心\u003c\/p\u003e\n\u003cp\u003e2019年“普拉特：生命的一部分（？）”东京\/kichijoji parco公园入口\u003c\/p\u003e\n\u003cp\u003e2019年“ 2018年毕业并完成了制作精彩的工作展览”东京\/穆萨西诺艺术大学博物馆\u003c\/p\u003e\n\u003cp\u003e2019年“ Dorooingu Dorouwing” Kamikubo Tokuko\/Taoka Tomomi东京\/艺术中心正在进行\u003c\/p\u003e\n\u003cp\u003e2019年“穆萨希诺艺术大学的毕业和完成生产展览”东京\/穆萨希诺艺术大学第二大楼\u003c\/p\u003e\n\u003cp\u003e2018年“克服” ILYA LEPIN名称：圣彼得堡国家绘画，雕塑与建筑联合展览俄罗斯\/ST。彼得斯堡\/行动\u003c\/p\u003e\n\u003cp\u003e2018“ Wonder Seeds 2018”东京\/东京和艺术空间Hongo\u003c\/p\u003e\n\u003cp\u003e2017年“大师：从日本赶上新浪潮”\u003c\/p\u003e\n\u003cp\u003e美国10名日本年轻艺术家\/洛杉矶\/蜂巢画廊在展位上的小组展览\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e・独奏展览\u003c\/p\u003e\n\u003cp\u003e2020年“ Zigusoopazuroucoodineito”东京\/Suyowa\u003c\/p\u003e","products":[{"product_id":"tomomi-taoka_jankureiyaado-coode_1-1-mima-raifu-akuriru-pate-kami-kaabu","title":"jankureiyaado \/\/ coode_1-1 #mima #raifu #akuriru #pate #kami #kaabu","description":"\u003cp\u003e In this work, I focused on the phenomenon of \"becoming a painting.\" In addition to pasting a complex digitally created image and a magazine page onto the surface of a standard wooden panel as a support for painting, I thought that I could create a \"painting\" by carving with a carving knife while being conscious of painting with a brush, so I used transfer and carving. In addition, I was conscious of the presence of the wooden panel as an object, in contrast to the lightness of the transferred image, so I filled the wood with putty and sanded it, creating a part that becomes a frame in a sense as part of the work.\u003c\/p\u003e\n\n \u003cp\u003eAbout the image: I used a poster I made myself (which references the eyes of Mima, the protagonist in Satoshi Kon's \"Perfect Blue\") that I had left as a material in my studio without turning it into a work of art, and a page from an advertisement in a magazine called LIFE from several decades ago that I picked up at random from my bookshelf. As it is a magazine, it naturally has a back side, so by transferring it and leaving some parts to be peeled off and others to be left in place, the front and back sides are visible. The back side is an advertisement page for some product with a child's face on it, and the front side (not much left as it has been almost completely peeled off) is thought to be an advertisement page with a picture of a glass. As the title suggests, this work represents coordination using junk items. Because I transferred junk items, I was able to carve it out as if I was painting with a brush, blurring the boundary between the paper and the wood.\u003c\/p\u003e\n\n \u003cp\u003eWhy do we do complex things? By doing complex things, we can see how the properties of things are balanced, how they give an impression, and how they break (or change into something else). We can also see or find expressions of the stages in which things change.\u003c\/p\u003e\n\n \u003cp\u003eThe order of production is to apply medium to the surface of the plywood, press the junk onto it → when the medium is completely dry, peel off the back of the junk to reveal the printed surface → attach a wooden frame → carve → process the texture of the screen with medium (including mixing paint) → putty (including mixing paint) on the sides and process the texture by sanding. Putty is a common building material that becomes invisible once the piece is finished, but I purposely use it on the sides as part of the work (part of the paint). I also mix paint into the putty to add color.\u003c\/p\u003e\n\n\u003ch3\u003e ■Details\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eAuthor: Tomomi Taoka\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eProduction year: 2024\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Edition: 1\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eSize: H530mm x W381mm x D45mm (mm)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eMaterial: Acrylic, putty and paper on wood panel\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003eDelivery time: Approximately 2 weeks to 1 month after the end of the event\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eHandling: PlusArt Co., Ltd.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e ■ Regarding shipping fees\u003c\/h3\u003e\n\n\u003cp\u003e All shipping charges for artworks sold at +ART Online Gallery are cash on delivery. By its very nature, artworks are difficult to determine shipping charges before shipping, as their size at the time of delivery can vary due to the careful packaging used, and insurance fees can vary depending on the artwork's price.\u003cbr\u003e\u003cbr\u003e In order to provide you with a wide variety of artworks, +ART Online Gallery will only show you the price of the artwork and the consumption tax when you purchase the artwork, and will inform you of the shipping fee by email at the time of shipment. We apologize for any inconvenience this may cause, but we appreciate your understanding and cooperation as this is the nature of artworks.\u003c\/p\u003e","brand":"田岡智美","offers":[{"title":"Default Title","offer_id":43160043389110,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/Jankureiyaadocoode_1-1_mima_raifu_akuriru_pate_kami_kaabu.jpg?v=1740505445"},{"product_id":"tomomi-taoka_tomomi-taoka","title":"buutoreiyaado \/\/ coode_122-1＃2023＃282 #voogu #dorooingubukku #katto #katto＃retacchi #suteikku＃akuriru #pate #pate #kami #ki #ki #ki","description":"\u003cp\u003e In this work, I focused on the phenomenon of \"becoming a painting.\" I used transfer printing, thinking that a complex image created digitally could be pasted onto the surface of a general wooden panel as a support for painting, and would become a \"painting.\" In addition, I was conscious of the presence of the wooden panel as an object, in contrast to the lightness of the screen of the transferred image, so I filled the wood with putty and sanded it, creating a part that acts as a frame in a sense as part of the work.\u003c\/p\u003e\n\n \u003cp\u003eAbout the image The source of the image is a drawing book made using an entire issue of the magazine Vogue. For this drawing book, I used a cutter, glue, masking tape, and acrylic paint, and took advantage of the nature of magazines (that is, when you cut and paste, the action affects another page), which allowed me to easily add other images or modify the original image. I then scanned the image of any double-page spread that I had created by cutting and pasting, and when I looked at it as a single image (digital image), I deleted unnecessary text information from the magazine, unnecessary shine and distortions from the magazine, and also filled in any missing parts during correction, creating a single \"picture.\" The transferred image in this work is that single \"picture\" and data.\u003c\/p\u003e\n\n \u003cp\u003eWhy do we do complex things? By doing complex things, we can see how the properties of things are balanced, how they give an impression, and how they break (or change into something else). We can also see or find expressions of the stages in which things change.\u003c\/p\u003e\n\n \u003cp\u003eThe order of production is as follows: Create a drawing book using the entire magazine → Scan a double-page spread → Digitally process and correct using Photoshop → Print a poster of the inverted data → Transfer to a homemade wooden panel (apply a medium to the surface of the wooden panel and press the printed surface) → When the medium is completely dry, peel off the back of the poster to reveal the printed surface → Process the texture of the screen using a medium (mixing paint) → Process the texture by putting on the sides (mixing paint) and sanding. Putty is a common building material that becomes invisible once the finish is applied, but I deliberately use it on the sides as part of the work (part of the paint). I also mixed paint into the putty to add color. I sand it finely so that the poster and the veneer are integrated, so that there is no sense of a step between the transferred screen and the veneer surface. Also, when I peel off the transferred paper, I do not peel it off completely, but rather leave the white paper partially as a texture.\u003c\/p\u003e\n\n \u003ch3\u003e■Details\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eAuthor: Tomomi Taoka\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eProduction year: 2024\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Edition: 1\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eSize: H900mm x W600mm x D45mm (mm)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eMaterial: Acrylic, putty and paper on wood panel\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Delivery time: Approximately 2 weeks to 1 month after the end of the event\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan data-mce-fragment=\"1\"\u003eHandling: PlusArt Co., Ltd.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e ■ Regarding shipping fees\u003c\/h3\u003e\n\n\u003cp\u003e All shipping charges for artworks sold at +ART Online Gallery are cash on delivery. By its very nature, artworks are difficult to determine shipping charges before shipping, as their size at the time of delivery can vary due to the careful packaging used, and insurance fees can vary depending on the artwork's price.\u003cbr\u003e \u003cbr\u003eIn order to provide you with a wide variety of artworks, +ART Online Gallery will only show you the price of the artwork and the consumption tax when you purchase the artwork, and will inform you of the shipping fee by email at the time of shipment. We apologize for any inconvenience this may cause, but we appreciate your understanding and cooperation as this is the nature of artworks.\u003c\/p\u003e","brand":"田岡智美","offers":[{"title":"Default Title","offer_id":43160043421878,"sku":null,"price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0540\/1280\/5302\/files\/Buutoreiyaadocoode_122-1_2023_282_voogu_dorooingubukku_katto_retacchi_suteikku_akuriru_pate_kami_ki.jpg?v=1740505443"}],"url":"https:\/\/pls-art-shop.com\/zh-hans-world\/collections\/%e9%99%b6%e5%8d%a1-%e6%89%98%e8%8e%ab%e7%b1%b3-%e8%89%ba%e6%9c%af%e5%ae%b6%e9%a1%b5%e9%9d%a2.oembed","provider":"+ART GALLERY（Online）","version":"1.0","type":"link"}